| janfields |
Night Open Forum begins
in Five Minutes -- It's open topic so be sure to hit me with all
your writing questions. In five minutes.
|
| janfields |
If you want to ask a
question and be sure it has a chance to be posted, you'll need to
use either the "ask a question" button on the bar across the middle
of your screen. OR type /ask...then space once and type your
question. That passes the question to me and I can post it for
answer. If you type the question in the bar at the bottom of your
screen, I may not see it.
|
| janfields |
Night Open Forum begins
in Two minutes...join Jan Fields (me) in the auditorium to chatter
about all manner of things related to writing.
|
| janfields |
Howdy folks, welcome to
ICL's Night Open Forum. I'm Jan Fields, web editor of the Institute
of Children's Literature.
|
| janfields |
I'm delighted to see
such a huge collection of folks in the auditorium.
|
| janfields |
I hope y'all have had a
chance to check out all the wonderful poems in our Writing poetry
contest.
|
| janfields |
I'm working on an idea
for a new contest with some cool writing software as a
prize.
|
| janfields |
More details
pending!
|
| janfields |
Oh, the poems are
at....
|
| janfields |
http://www.institutechildrenslit.com/rx/ws01/poetrycontest.shtml
|
| janfields |
You can see the winning
poem by Ev Christensen
|
| janfields |
And lots of WONDERFUL
honorable mentions
|
| janfields |
And the cool comments
by our judges on quite a few poems.
|
| janfields |
Now, I'm glad to see
y'all...anyone have a question?
|
| janfields |
Something
juicy
|
| janfields |
And
tough?
|
| janfields |
Ahhh...aura got a card
from Highlights.
|
| janfields |
Highlights has a
collection of "Please Bear With Us" cards
|
| janfields |
With slightly different
messages.
|
| janfields |
What they mean
is
|
| janfields |
That you passed the
PRIMARY reader
|
| janfields |
The one who screens out
manuscripts that don't work at all for Highlights
|
| janfields |
And your manuscript is
moving on to the editor who handles that section.
|
| janfields |
Because it's considered
a possible match with Highlight's needs.
|
| janfields |
Often those cards are
followed by an acceptance but it's not a sure
thing.
|
| janfields |
Because you still have
one more editor to go through.
|
| janfields |
Hey, good...it's nice
to know you're first submissions was good enough to be a
"contender."
|
| soradina |
If the normal response
time for a submission is stated as 4
|
| soradina |
to 6 weeks but it has
been longer than that since hearing
|
| soradina |
from an editor does that
mean it is a good or a bad sign?
|
| janfields |
Well, it can
be...
|
| janfields |
It can also mean
they're just behind
|
| janfields |
Which almost everyone
is.
|
| janfields |
Usually the only "BAD"
sign is the really really fast rejection
|
| janfields |
because it means
either
|
| janfields |
(1) your piece didn't
match what they needed at all.
|
| janfields |
or
|
| janfields |
(2) they aren't really
reading unsolicited manuscripts
|
| janfields |
Now, if they say 4 - to
- 6 weeks and it's been 6 months...
|
| janfields |
they are either really
vacillating
|
| janfields |
Or they lost
it.
|
| janfields |
So...response time is
not exactly a science :-)
|
| janfields |
Aura wants to know if I
have any more info on the ING contest.
|
| janfields |
It's only open to US
citizens (mild boo)
|
| janfields |
And my guess is that
they plan to use the stories in bank promo
|
| janfields |
So, the fact that they
are "publishing" them isn't exactly the same as if a publisher is
publishing them.
|
| janfields |
They do want a lot of
rights, but they aren't exclusive
|
| janfields |
Basically, since the
focus of the story has to be specific --
|
| janfields |
money, savings, stuff
like that --
|
| janfields |
it might be
fun.
|
| janfields |
But you're dealing with
folks who don't exactly know much about children's
writing.
|
| janfields |
Cause...they say sorta
doofy stuff like it being easy to write a children's
story
|
| janfields |
But they clearly like
kids and are hoping to get a nifty story
|
| janfields |
And some fun...contests
are fun.
|
| rainchain |
In a mid grade can I
switch POVs to show antagaonist thought
|
| janfields |
I've seen a lot of
middle grade novels that switch point of view, for all sorts of
reasons.
|
| janfields |
Middlegrade is usually
considered sophisticated enough for viewpoint
shifts.
|
| janfields |
Right now, shifting
viewpoints are a BIT out of favor with editors
|
| janfields |
But like almost
anything...if you do it well...you can do it.
|
| janfields |
Shifting to the
antogonist viewpoint can help flesh out your
antagonist
|
| janfields |
And be an interesting
choice.
|
| janfields |
I generally don't shift
viewpoint because my narration tends to be very close, but for
writers with a more dramatic narration style, viewpoint shifts can
work just fine.
|
| lilyphenix |
Most agents do not
represent PB. However if your ms got
|
| lilyphenix |
accepted, will they
accept to handle the negotiations and
|
| lilyphenix |
represent you? Just
curious.
|
| janfields |
Some are open to
that.
|
| janfields |
Some are
not.
|
| janfields |
It depends on a number
of factors.
|
| janfields |
(1) Whether you are
primarily a picture book writer and intend to continue to be
that.
|
| janfields |
(2) Whether you have
substantial credits, suggesting writing is going to be a long term
commitment for you.
|
| janfields |
(3) Whether your offer
is from a publisher who can be negotiated into good
money.
|
| janfields |
Because agents don't
just sign on for a single property.
|
| janfields |
So though they are
negotiating a deal you started...
|
| janfields |
your next deal is
likely to be one requiring real work from them.
|
| janfields |
So they want to know
they are likely to make money through you long term before signing
you on.
|
| janfields |
However, some agents
like PB more than others...so that also plays a
part.
|
| janfields |
Nothing is a hard and
fast rule these days.
|
| craftymama |
are there any online
poetry sites that are looked at fondly by
publishers?
|
| janfields |
Not that I know
of.
|
| janfields |
Editors don't look
"down" on online poetry publication (except
Poetry.com)
|
| janfields |
It's just that poetry
is something they look at not based on your credits
|
| janfields |
but on the quality
you're creating right now
|
| janfields |
It's such an "art"
compared ot a craft...the way storytelling can be.
|
| janfields |
So you might do
wonderful stuff for along time then sorta fall a
part
|
| janfields |
So they look at it
moment by moment.
|
| lilyphenix |
About Highlights, their
wish list is dated from June 2006;
|
| lilyphenix |
Do you think it is still
accurate? As well as the name of
|
| lilyphenix |
the
editors?
|
| janfields |
I am virtually certain
none of the editors have changed...I would have
heard.
|
| janfields |
As for what they are
looking for...that is probably different
|
| janfields |
But it does mean we're
likely to be seeing new wish lists soon...I shall drop them a line
and see.
|
| craftymama |
Is it okay to submit
mutiple submittions to the same (or mutiple) magazines about the
same subject as long as each article has a different
focus?
|
| janfields |
It
depends.
|
| janfields |
If you are sending to
magazines with overlapping markets
|
| janfields |
Like...oh...highlights
and spider
|
| janfields |
And the topic is the
same, but a different focus
|
| janfields |
Highlights is going to
be annoyed if they find out
|
| janfields |
Because they like to
feel like they are doing something very different from the
"competition"
|
| janfields |
though the approach to
nonfiction in a Highlights article is so different than that of the
Carus group.
|
| janfields |
So, it's best if you
look for magazines that may have less overlap
|
| janfields |
either in time (because
you know say...you're submitting for the 2013 issue of Hopscotch but
maybe a soon issue of Spider (God willing)
|
| janfields |
of a decidely different
focus...so
|
| janfields |
say
|
| janfields |
you could have the
subject "birds:
|
| janfields |
And one magazine could
get "bird migration linked to magnetism"
|
| janfields |
and another could get
"amazing bird feet"
|
| janfields |
and neither would
mind
|
| janfields |
But if one got "bird
migration linked to magnetism"
|
| janfields |
and the other got --
"Who flies farthers -- wild migration tales"
|
| janfields |
Some magazines could
get cranky.
|
| janfields |
Not different enough in
focus.
|
| janfields |
I hope that helped
some.
|
| janfields |
It can be
tricky.
|
| lilyphenix |
Jan, do you know a bit
how National Geographic for Kids
|
| lilyphenix |
work?
|
| janfields |
I talked to an editor
at National Geographic last year
|
| janfields |
He was the big guy at
EXPLORER
|
| janfields |
But all the NG family
is some similar
|
| janfields |
They PRIMARILY want
articles BY experts
|
| janfields |
Not just about experts,
but actually written by field experts.
|
| janfields |
However, barring
that
|
| janfields |
They will accept
articles by writers in contact with field experts.
|
| janfields |
They don't want book
sources except as backup to interviews.
|
| janfields |
NG considers itself to
be "on the edge" in terms of sourcing...they like to see themselves
as actually going where the news is breaking
|
| janfields |
That's why where put so
much emphasis on experts and researchers.
|
| janfields |
Which was really kinda
a bummer in the interview.
|
| rainchain |
In a fantasy mid grade
where you need info the mc doesnt hav
|
| rainchain |
are there alternatives to
pov switching?
|
| janfields |
I would have to think
about that rain.
|
| janfields |
I have ...hmmmm...slid
point of view a bit
|
| janfields |
Where I only got inside
the head of one character
|
| janfields |
But sometimes went to a
different scene and just looked around...as if I were a fly on the
wall, describing but not being in anyone's head
|
| janfields |
So that's a switch from
third person close to third person dramatic
|
| janfields |
Which can work to feed
info, if you can feed it by observation...I've seen that
done.
|
| janfields |
Otherwise...you
probably have to switch.
|
| monkee |
Regarding Laptops for any
Canadian students who have one...
|
| monkee |
Dell has got a Class
Action lawsuit against them - Inspiron
|
| monkee |
Series. As you can see,
I'm having problems!
|
| janfields |
Just a little FYI...I
actually didn't know that.
|
| janfields |
Sorry to hear about
your computer woes.
|
| craftymama |
do you have to have an
agent to get an article or book published?
|
| janfields |
Agents don't deal with
articles/stories
|
| janfields |
Unless they are already
your agent
|
| janfields |
And they are pushing
you to do something as publicity
|
| janfields |
Then they might work
with a magazine.
|
| janfields |
It's kind of
rare.
|
| janfields |
Agents would prefer not
to deal with picture books, most of the time.
|
| janfields |
And many writers sell
picture books without agents.
|
| janfields |
There are still plenty
of houses open to unagented pb writers.
|
| janfields |
Agents love novel
writers...but agents are still kind of hard to get
|
| janfields |
And it's time
consuming
|
| janfields |
And there are still
quite a number of houses open to novelists
|
| janfields |
Without
agents.
|
| janfields |
So...you don't HAVE to
have an agent.
|
| janfields |
But, it is getting
increasingly harder to sell novels without agents.
|
| janfields |
It's not
impossible.
|
| janfields |
And it still might be
easier to sell novels to the open houses than it is to get an
agent.
|
| monkee |
Are kids wasting a lot of
time reading blogs like adults?
|
| janfields |
Kids read a lot of
blogs
|
| janfields |
And older kids spend
time on myspace too
|
| janfields |
It depends on
age
|
| janfields |
The older the kid, the
more you can reach them with online content.
|
| rainchain |
Jan congratulations on
Kidmag
|
| rainchain |
placing 2 in writers
digest
|
| janfields |
Thank
you...
|
| janfields |
And another coolio
thing
|
| janfields |
In this August's
Children's Writer's and Illustrator's Market
|
| janfields |
from Writers
Digest
|
| janfields |
They will be using an
interview with me
|
| janfields |
An "insider
report"
|
| janfields |
I don't consider myself
much of an insider, but I surely thought that was
nifty.
|
| janfields |
And I think my head is
bigger as a result...bad, very bad.
|
| janfields |
Awww.thanks.
|
| lizziegirl |
I am trying to get my
brother (14) to start submiting his
|
| lizziegirl |
writing. I think its good
he doesn't. Any suggestions?
|
| janfields |
You can't make someone
sell things.
|
| janfields |
You could show him the
young writer markets in the CWIM
|
| janfields |
and at KMW (though our
young writer markets are really a bit dated)
|
| janfields |
And in the ICL market
guides.
|
| janfields |
Maybe trying to sell
against his peers will be less intimidating to start
out
|
| janfields |
than trying to jump
right in with adults.
|
| janfields |
But, when I was
14...lots of folks thought my writing was good.
|
| janfields |
But I never submitted
because...I knew it could be better.
|
| janfields |
And within a few years,
it was and I was comfortable selling.
|
| janfields |
So, sometimes you gotta
let someone discover stuff on his own.
|
| janfields |
Of course, he might
also be enjoying the fact that you think his writing is
great!
|
| coloradokate |
Jan, I have a Highlights
wishlist dated 2/2/07 - is there some way I can share it
here?
|
| janfields |
Can you cut and paste
into that room?
|
| janfields |
Otherwise...you could
email it to me
|
| janfields |
And I would be happy to
put it in the transcript.
|
| janfields |
And in the
newsletter
|
| janfields |
And...by the way,
that's awfully nice that you want to share.
|
| janfields |
Yeah, right
there.
|
| janfields |
I can port
it
|
| janfields |
But I don't think you
could send that much stuff through the "ask"
features.
|
Here is the Highlights Wish List mentioned in this chat transcript:
Dear Author,
Every few months, Highlights editors compile a list of their current needs to share with prospective authors. Below, you will find a detailed description of the types of stories Highlights editors are currently seeking. You may also find these updates at www.Highlights.com. Follow the "About Us" link to "Contributor Guidelines," and you will see "Current Needs" listed in the right-hand column.
Thank you for your interest in Highlights. Happy writing!
Sincerely,
The Editors
Highlights Winter Wish List 2006-2007
Kim Griswell, Coordinating Editor
Adventure
Articles that feature adventurous travel. Not the "family vacation" kind of thing, unless your family goes to study turtles in the Galápagos Islands, as does the author of "Stars and Sea Lions" (June 2006). We prefer articles that feature kids in some way. Publishable-quality photos are almost essential for these articles, since it would be difficult (or impossible) for us to acquire photos if the writer couldn't provide them. Please remember that even adventure articles need a focus--not simply "We went here and did this," but something that reveals the meaning behind the travel or the reason for the adventure, etc., 750 words maximum.
Marileta Robinson, Senior Editor
Fiction for Young Readers
We need humorous stories written for beginning readers, 500 words maximum.
Carolyn Yoder, Senior Editor
World Cultures
- Intimate looks at other peoples and their traditions--particularly in northern and southern Africa, Asia (not India), Europe, Canada, the Caribbean and the Pacific. (Articles on children.)
- Holidays--first person.
- U.S. History
- Modern history (20th century), particularly the Civil Rights movement
- Holidays, particularly Christmas and Thanksgiving
- Articles that touch on the diversity of people in the United States
- Biographies of U.S. subjects as children
- Anecdotal articles on George Washington and Abraham Lincoln
- Articles on patriotic themes
- HUMOROUS articles on U.S. history (review back issues for articles on Lincoln and humor, Washington and his teeth, Jefferson getting his life mask, and Ben Franklin and his love of exercise)
Judy Burke, Senior Editor
Fiction for 8- to 12-year-olds
We're currently looking for funny stories with boy protagonists, Easter stories (no Easter bunnies, please), Kwanzaa stories, Ramadan stories, Hanukkah stories, Passover stories, and contemporary stories set in foreign countries, 800 words maximum.
One-Page Activities:
We're interested in 300-word activities of all kinds. At this time, we're especially interested in indoor and outdoor games that involve exercise, creativity, and/or humor.
Sports
We could especially use profiles of contemporary female athletes. We're always interested in sports articles that focus either on a known athlete (a squeaky-clean one), on the development of specific skills (for example, shooting a basketball), or on the challenges faced by athletes of any kind (for example, staying positive when your team is losing). Successful articles often include quotes gained from personal interviews with athletes or experts and useful tips for readers who play that sport, 800 words maximum.
Andy Boyles, Science Editor
Science and Nature Articles --
We put a high value on articles that show science as a process--that is, articles that follow a scientist or group of scientists as they try to solve one of nature's mysteries or that show someone of elementary-school age engaging with nature in a healthy, inquisitive way.
We are always looking for science articles about animals that are of high interest to kids. For example, an article might follow researchers who study cougars or a young person who is involved with horses. The article may cover a long period of time or tell the adventures of one day, but information about the animals and/or the research should arise naturally in the course of the action, so our readers will learn something about both.
Also, we are in need of short Science Corner pieces that inspire young readers to explore the science in their everyday environment or to do a simple activity or experiment. See a recent issue for the format. We also look for safe, fun one-page experiments (400 words or fewer) more in-depth than those found in the Science Corner. These activities should introduce kids to some greater concept and require minimal parental involvement.
We currently have enough articles about birds, reptiles, amphibians, insects (especially bees), and volcanoes. Having said that, a clear storyline that reveals the process of science is a strong component. If we received a good story about a scientist studying birds that live on a volcano and eat reptiles that have a symbiotic relationship with amphibians that eat insects (even bees), we'd probably buy it.
Our guidelines state that our word limit is 800, but articles that are even shorter (350-400 words) are especially welcome as possible one-page features. Interesting approaches to botany, chemistry, anatomy, and geology and the earth sciences, are welcome.
Joëlle Dujardin, Associate Editor
Crafts --
We have a need for original crafts that encourage play, such as toys, costumes, and games, as well as open-ended art projects. We're also seeking crafts that are appealing to boys, holiday crafts, and crafts from various cultures.
Younger Nonfiction --
Younger nonfiction should be written for readers ages 4-8 and should not exceed 450 words. Things we're looking for include first-person accounts of fieldwork, photo essays, arts stories, accessible biographies of key historical figures, ancient history, high-interest animals, details from urban life (workers, transportation, etc.). All articles should have a clear focus and relevance to young kids.
Gallant Kids --
We're looking for leads or articles about kids who take an active role in making positive changes in their communities. Articles should be 350 words or fewer, and the child featured should be no older than 13.
Linda Rose, Assistant Editor
Full-Page Puzzle Activities --
On the inside-back cover of each issue, we publish a large visual puzzle of some sort. We like to vary the kind of puzzle presented here, and we're always looking for fresh ideas that appeal to a variety of readers and abilities. Often this page offers several activities within one (for example, using one illustration for a maze, a few riddles, a "find the..." puzzle, etc.). Submissions to this area ideally include detailed art directions/notes, as well as succinct and easily understood activity directions for the reader. (Artwork or photos do not need to be submitted with the manuscript but are welcome if you have them.)
Tiffany Hoffman, Editorial Intern
Short Activities --
We're looking for short puzzles, activities, teasers, and interesting tidbits to go on our mixed pages. We are especially interested in math puzzles--that do not resemble school activities--and games of all kinds. We do not encourage writing in our magazine, so please do not submit activities that would require children to write or draw on the page.
Tips and Resources
Highlights recommends reviewing the magazine's contributor guidelines available on www.Highlights.com in the About Us section. Also, it can be helpful to read through back issues, which can be found at most local libraries. For examples of stories, articles, and crafts we have published in the past, visit www.HighlightsKids.com, click on "Fun Finder" in the left column, then peruse "Highlights Stories" under Story Soup, "Science Stories" under Science in Action, and "Crafts" under Express Yourself.
The Highlights Foundation
814 Court Street
Honesdale, PA 18431
Phone: (570) 253-1192
E-mail: contact@highlightsfoundation.org
lilyphenix |
Jan, do you know if the
market for early reader is open? For
|
| lilyphenix |
non-fiction stories for
example?
|
| janfields |
I'm afraid Early
readers is about my least well informed area.
|
| janfields |
I know that Early
readers are still selling well
|
| janfields |
And that virtually
always translates into market interest
|
| janfields |
But I also know that a
lot of publishers are doing them on assignment
|
| janfields |
So you have to send a
proposal and samples rather than sending the finished early
reader
|
| janfields |
when it's
nonfiction
|
| janfields |
Even though that seems
kind of silly for such short work.
|
| craftymama |
What do you mean by an
Open House and how do you tell if a publishing house is
one?
|
| janfields |
An "open house" is just
one that accepts manuscripts or queries from unagented
writers.
|
| janfields |
And you usually have to
have a current market guide to know which are
|
| janfields |
You can usually find
lots and lots of market info online
|
| janfields |
but by the time you've
tracked it all down and gathered it all up
|
| janfields |
You're really better
off to spend the for a market guide (or whatever they
cost)
|
| janfields |
Also, SCBWI puts out a
guide
|
| janfields |
Though theirs is
HORRIBLY out of date very fast
|
| janfields |
And they really don't
take proper care to weed out questionable
companies.
|
| aura
whitcomb |
Any advice for a first
time pb submission?
|
| janfields |
If it's long (over 800
words) start with the smaller houses
|
| janfields |
Charlesbridge,
Peachtree, etc
|
| janfields |
If it's "literary" or
"quiet" -- same advice, start small
|
| janfields |
Big houses are shying
away from those unless it's with "known" authors
|
| janfields |
If it has lots of
action, quirky characters, a strong dramatic arc, and it's
short
|
| janfields |
Then I would try the
bigger houses
|
| janfields |
And I would send it out
to about two houses at a time.
|
| janfields |
I wouldn't sim sub to
all of them
|
| janfields |
Because what if an
editors gives you great feedback but doesn't want to see it
again
|
| janfields |
But it was EXACTLY
something you needed to do to make it better
|
| janfields |
But you've already sent
the "bad" version to everyone?
|
| janfields |
You're
hosed.
|
| janfields |
Becuase NO ONE wants to
see corrected versions of manuscripts in the slush
|
| janfields |
Unless they ask for
it.
|
| janfields |
So, never send to all
the markets in one clump.
|
| aura
whitcomb |
I'm on assgt 8 and doing
mrkt research. Is web based resrch
|
| aura
whitcomb |
better than printed (ICL)
guide based research?
|
| janfields |
I do
both
|
| janfields |
I virtually always
start with my market guides.
|
| janfields |
Then I make a list of
the magazines that sound like good possibles
|
| janfields |
Then I track down the
websites online
|
| janfields |
And I read anything
anyone might be saying about the magazines.
|
| janfields |
Usually if you Google
by the magazine title
|
| janfields |
You'll find their
website but also posts about the magazine
|
| janfields |
on discussion
boards
|
| janfields |
Where you can learn a
lot
|
| janfields |
I figure I put a lot of
time into writing something
|
| janfields |
i can put just as much
time into finding the right place to send it
|
| janfields |
Because I HATE HATE
HATE rejection
|
| janfields |
and MOST rejections of
good writers are simply bad market matching
|
| janfields |
So the more I put into
market matching, the fewer rejections I get
|
| janfields |
So...read the guides,
look online, track down a magazine if you can.
|
| lizziegirl |
Would contests be a good
place to start for my brother?
|
| janfields |
Contests can be
great
|
| janfields |
No
rejections
|
| janfields |
And there's the "fun"
element
|
| janfields |
Plus somehow it hurts
less to "not win" than it does to "get rejected"
|
| janfields |
So that might be
good.
|
| janfields |
But you really make
more sales just to submit.
|
| ccollier |
Jan, how many magazines
have you been published in roughly?
|
| janfields |
I always publish
gently, cc
|
| janfields |
But seriously...a
couple dozen maybe
|
| janfields |
That includes weird
locals
|
| janfields |
And
parenting
|
| janfields |
And
online
|
| janfields |
And
magazines/newsletters about writing
|
| janfields |
And kid
magazines
|
| janfields |
And craft
magazines
|
| janfields |
And religious magazines
for youth leaders.
|
| janfields |
I'm eclectic...that's a
really nice intellectual way to say "flighty"
|
| janfields |
I don't list all my
credits even on my resume because some of them are defunct...a lot
of them, really, though I swear I don't kill
magazines.
|
| janfields |
And some of them really
are too local to impress anyone.
|
| janfields |
But when I had more
time to write, I wrote for EVERYONE
|
| janfields |
Heck, I even wrote
package lift for a friend for his toy company.
|
| janfields |
I have to say no a lot
more these days.
|
| janfields |
Oh...package lift is
the crap they write on the sides of packages to convince you that
you have to cough up your hard earned money and buy the
thing.
|
| lilyphenix |
So, Jan, how do we best
match-market?
|
| janfields |
I do it buy reading the
magazines.
|
| janfields |
Honestly, when I
started in magazines...I didn't know people actually MADE market
guides
|
| janfields |
I honestly
didn't
|
| janfields |
I was totally in the
dark
|
| janfields |
But I knew the stuff in
magazines came from somewhere
|
| janfields |
So I started by reading
all these stacks of magazines that my mom horded (that woman never
threw away anything)
|
| janfields |
and then I sent queries
to those magazines.
|
| janfields |
And sold stuff to
them.
|
| janfields |
I got the addresses
from the magazine itself
|
| janfields |
and the editor
name.
|
| janfields |
That's the only way I
knew to do it.
|
| janfields |
And even today, when I
have newsletters and market guides, and online
|
| janfields |
I still tend to go back
to the magazines because when you know the magazine as a
READER
|
| janfields |
it's so much easier to
sell to it.
|
| janfields |
Because editors want to
buy from folks who sound like readers of their
magazine.
|
| janfields |
It's a time consuming
process to get to know a magazine that well.
|
| janfields |
But it means you can
sell to them more consistently.
|
| janfields |
And..well... I probably
lucked up a lot too.
|
| craftymama |
The SCBWI is so
expensive, is it really a good idea for a new writer to shell out
that much money??
|
| janfields |
Well...if you plan to
go to the conferences...yes
|
| janfields |
And the newsletter
thing they send out is super
|
| janfields |
And it is tax
deductable if you actually make money as a writer
|
| janfields |
But it's only one way
to move closer to where you want to go as a writer.
|
| janfields |
There are lots of
ways.
|
| janfields |
I had been writing for
a lot of years before I joined SCBWI
|
| janfields |
Again, I just didn't
know about them.
|
| janfields |
I actually like
belonging to the organization for writers
|
| janfields |
It "feels" right and
since I'm focused primarily on childen's writing, I choose
SCBWI
|
| janfields |
But I can't say I get
worth of good out of it every year
|
| janfields |
Your location can make
a difference, cathie
|
| janfields |
Some branches are much
more active
|
| janfields |
The New England area is
very busy with things to do.
|
| janfields |
Still, when you're
starting out you have to weigh a lot of expenses
|
| janfields |
When I was starting out
I didn't spend anything I didn't have to.
|
| janfields |
I didn't send SASEs
(even though everyone said you had to) because publishers never sent
the dang things back to me
|
| janfields |
And I refused to spend
the money if I wasn't getting the envelope back.
|
| janfields |
That's how cheap I
was.
|
| janfields |
I used cereal boxes to
make photo mailers for photos I sent with my
articles
|
| janfields |
That's how cheap I
was.
|
| janfields |
Today...heck, I can
afford to do more, but I also make a lot more
sales.
|
| janfields |
Well...actually we're
passed 10pm
|
| janfields |
I know I didn't answer
everything...I promise to catch them all in next Friday's
eNews.
|
| janfields |
I just want to post a
link that someone sent, I think to the wish list?
|
| writerx |
http://www.verlakay.com/boards/index.php?topic=12589.0
|
| janfields |
I believe that is
it
|
| janfields |
Thanks for coming
all
|
| janfields |
And I'm always happy
with the great questions.
|
| janfields |
Good
night
|